Peter Kernel is a Swiss Canadian art-punk band formed by Aris Bassetti (guitar, voice, graphic designer) and Barbara Lehnhoff (bass, voice, filmmaker). Inspired by a love story, they play music anyone can play in an attempt to’ satisfy man’s basic human instinct: a beat, something loud and a few words. Primary rock.

The band initially got together in 2005 to write the soundtrack for the experimental musical Like A Giant In A Towel (Locarno International Film Festival 2006), directed by bass player Barbara.

In 2008 PK releases their first album How To Perform A Funeral followed by The Ticket Ep on 10’’ vinyl in 2009, both for their own label On the Camper Records.

 

Suddenly PK are invited by Spencer Krug from the canadian band Wolf Parade (Sub Pop) to open for their European tour in September 2010. They soon share stages in venues such as the Hmv Forum (London), Thekla (Bristol), Point Ephèmere (Paris)…

 

Throughout 2009/2010, to blow off steam PK explore the theme of improvisation and in February 2011 in collaboration with a number of friend artists, they release the audiovisual experiment Il Pomeriggio Non Si Sa Mai Bene Cosa Fare (12’’ vinyl + the video Man & Nature, On the Camper Records).

During the 2010 Christmas holidays PK record twelve new songs for their second album. June 1st they release the single Anthem Of Hearts (on 7” vinyl) for the french label Africantape. The new record White Death & Black Heart is released on October 3rd 2011 (Africantape).

Throughout the years Peter Kernel shared stages with inspiring bands such as Mogwai, Trans Am, Cat Power, Enon, Blonde Redhead, Shannon Wright, Wolf Parade, Why?, Twin Shadow, Wild Beasts, Trentemøller, The Notwist, Sunset Rubdown, Gregor Samsa and many more…and performed at clubs and festivals such as Hmv Forum (London), Thekla (Bristol), Glee (Birmingham) 59 :1 (Munich) Point Ephèmere (Paris), Soundlabs Festival (Abruzzo), Paleo Festival (Nyon), Bad Bonn Kilbi (Düdingen), Cully Jazz Festival (Cully) and many more…

Blending genres such as punk, noise, rap and doom in a very personal way, BEASTS is Antoine Romeo's (ex-run SOFA) first solo project.
With an incisive debut album, The Shearing, whose release is due at the beginning of 2025 is drenched in subjects such as immigration, generational traumas, class war and social reproduction. BEASTS's music is cathartic, visceral and uncompromised.
To shape this project, the artist from Charleroi, who grew up in a large family of Italian immigrants in the 90's, got together with Ghentian drummer Tijl Van de Casteele (Whorses) and Tournaisian bassist François Hantson (Feel, Mingawash).

Chaton Laveur is a wild animal with a kraut-pop ins nct, which dives into the depths of minimalism in search of intoxica ng melodies to prey on. Raw and authen c, the duo always follows the shortest route, lined with repe ve rhythms, analog sounds and so French vocals that also reveal a shadowy side.