THURSDAY 10.12.2026 : 19:30 THU 10.12.2026 : 19:30
EXPERIMENTAL / NOISE / FREE JAZZ NEPTUNE (US)SLY & THE FAMILY DRONE (UK)
Neptune

After twelve years of relative quiet, experimental rock band Neptune returns with Play Some Music, their ninth full length album and a return to form from a project spanning over three decades. Play Some Music reunites the band’s most recognizable and widest traveling lineup of Jason Sidney Sanford, Mark William Pearson, and Daniel Paul Boucher, whose 2008 LP Gong Lake (Table of the Elements) and 2006 LP Patterns (Les Potagers Natures) serve as defining releases among the band’s catalog of over thirty recordings. Wielding their distinctive homemade instruments - a melding of hardware store and landfill – Play Some Music features microtonal and macrotonal wire-framed steel guitars as well as amplified drums, amplified circular saw blade percussion, electronics, and feedback organ to produce a suite of songs, improvised and composed, that explore classical mythology and the nebulous realm of memory. Always expanding their sound world, Neptune’s signature frenetic guitars and drums are joined by new gamelan-like amplified percussion and phantasmagoric electronic textures hovering over its ether.

Sly & the family drone

Sly & The Family Drone are a neo-jazz wrecking crew hailing from London. With roots in cassette collage and noise experimentation, Sly have grown into a multi-limbed sonic organism. Layering dense electronics, skronking saxophone, and feral percussion into a convulsive celebration of noise, rhythm, and resistance. Originally formed by Matt Cargill as a cassette manipulation project, Sly have evolved into a full-force live ensemble, positioned somewhere between free jazz, noise, industrial and rave culture. Their music is improvised but never aimless, creating towering crescendos and warped textures that leave no two performances alike.
Their performances are legendary: visceral, anarchic, and deeply communal. Preferring to set up in the round, Sly erase the boundaries between band and audience, transforming passive observers into active contributors and collapsing performance into a shamanic ritual of catharsis.