Why the eye, quatuor masqué formé en 2013 à Bruxelles autour des instruments home-made, vous emportera dans des rythmes pour le moins obsédants. De leur musique aux teintes particulières se dégage un alliage de sonorités tribales-noisy-expérimentales qui ébranlera vos corps en transe.

After a relative rest for the two Liège heads, it is time to get back to business. And this business requires four hands to play, very rapidly, and two ears, to be listened to very loudly. Trapped in a frantic chase on a Belgian highway, finally on a slope, this time, we are missing the brakes… and avoiding the famous ruts is imperative for survival.
So here we are, grazing the slide in a shower of magnificent sparks, while being hit by these ten punchy pieces releasing a crazy energy. Even if the forays towards EBM become more and more pop (if we can use that word here), Punk becomes always more synthetic, Kraut is percussive and martial, but with PRINCE HARRY, it's a long time that the Indus has been moving very fast: at 140bpm on the emergency lane.
"A Long Way Down" is the fourth LP from the Belgian duo to find asylum on the Parisian label. After 5 years of discretion - almost absence - this curious pink album propels us to the unthinkable frontiers of electronic punk, lo-fi EBM and garage new-beat.

Mécontents et fatigués de l'état de leur ville droguée et sans vie et incapable de se faire à l'ennui de la nouvelle génération, deux jeunes agités tombent follement amoureux l'un de l'autre et commencent à allumer des feux un peu partout.

Baby Fire is a haunted rock band from Brussels formed around songwriter & lyricist Dominique Van Cappellen-Waldock. It combines the energy of post-punk with feminine sensitivity. The strings are rough, the melodies catchy, the voices enthrall. Baby Fire has collaborated with Eugene Robinson (Oxbow), Mike Moya (GY!BE) and Eve Libertine & Penny Rimbaud (Crass), among other artists