Newsletter : 
»
THURSDAY 13.03.2025
Insect Ark (US) + The Devil's Trade (HU) + mer morte Doom / Drone / Folk

 

»
DETAILS
 + RESERVATIONS:
    » Tickets

 + PRESALE : 15€ 
 + ENTRANCE : 15€ 
 + OPENING HOUR : 19:30 

 + Insect Ark
    » Facebook
    » Instagram
    » Bandcamp
    » Spotify
 + The Devil's Trade
    » Bandcamp
 + mer morte
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    » Instagram
    » Bandcamp
»
INSECT ARK (US) (Experimental / Doom / Psychedelic / Instrumental)
Ominous, desolate, and fearlessly unique, INSECT ARK is the Berlin-based duo of American artists Dana Schechter (also a member of SWANS) and Tim Wyskida (also a member of KHANATE). 
The band’s brutal and lush fourth full-length “Raw Blood Singing” was released June 2024 on Debemur Morti Productions. 
The album marks a rebirth for Insect Ark, with a crushing weight and vicious sensual delicacy elevated by the all-new addition of Schechter’s smoky, bruised-angel vocals. 
Since 2024, the live band has played as a trio with Berlin-based musician Lynn Wright on Lap Steel and Electric guitars for tours in Europe/UK/US.
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THE DEVIL'S TRADE (HU) (Doom / Folk)
It is of no surprise liminal space is a key element in the next phase of The Devil’s Trade’s fourth album, ’Vidékek vannak idebenn’ (a title that loosely translates to ’There Are Landscapes Within’) as Dávid Makó, the man behind the moniker has indeed arrived to a threshold in his career, where the phase starting with his self-released debut ’Those Miles We Walked Alone’ ended after his latest album ’The Call of the Iron Peak’. The concept of liminal space itself is a not necessarily pleasant state of mind where you left behind your old life, but new doors haven’t exactly opened just yet.
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MER MORTE (BE) (Noise / Drone / Industrial / Experimental)
Mer Morte (Ritual-Industrial Noise Ambiant - BE)

Duo son et image de Thomas Dardenne (Suiker Zuiker, Mambo, Graffen Volder, Volt Voice) et Merry Haddock (Daïne)

Mer Morte est un duo de musique et vidéo improvisées : Une base noise, réalisée à partir d'archives sonores et de musique glanée sur vinyles, cassettes et instruments bricolés, qui forment un ensemble de collages de sons immersifs et hallucinés. Le tout accompagné de créations vidéos chaotiques diffusées pendant les concerts.
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