DIY gothic wonk band operatin out of Dublin since 2009. Working with producer Jon 'Spud' Murphy since 2013. Described by their NYC label Sleeping Giant glossolalia as the 'I Think You Should Leave' of Noise Rock in 2023.
 

FINE CHINA SUPERBONE are a noise-/mathrock outfit from The Netherlands that started out around the year 2000 and soon got a reputation for their manically raging noise/punk rock shows that were known for disruption and chaos.After the vocalist left the band they continued as an instrumental fourpiece.
No vocals meant freedom to use more layers and complexity in the songs. The
second release ‘Make Machine’ (2010) found its way from the famous Dutch Next to
Jaap studio to the legendary Narrominded label.Since about 2012, FINE CHINA SUPERBONE are back in the original threepiece
form. With a back to basics filthy distorted sound, loads of new riffs and ideas, and
the return of the human voice. All of this resulting in a bunch of abrasive, twisted,
post noise/math rock.An album was recorded in London with Wayne Adams at Bear Bites Horse Studio –
a place where many other great records were recorded (USA Nails, Death Pedals,
Nitkowski, to name a few). ‘Plaguey’ was released on vinyl in 2019 by the Dutch
Geertruida label.And another vinyl album is about to be released, in September 2024. This one’s
called ‘Hunk’, and will come out on a bunch of record labels: Vollmer Industries
(Italy), Sonatine Produzioni (Italy), and Whosbrain (France), and will be available on
vinyl. There will also be a cassette release by Rat Run Records (UK).’Hunk’ was also recorded in London with Wayne Adams at the Bear Bites Horse
Studio.FINE CHINA SUPERBONE are a noise-/mathrock outfit from The Netherlands that started out around the year 2000 and soon got a reputation for their manically raging noise/punk rock shows that were known for disruption and chaos.After the vocalist left the band they continued as an instrumental fourpiece.
No vocals meant freedom to use more layers and complexity in the songs. The
second release ‘Make Machine’ (2010) found its way from the famous Dutch Next to
Jaap studio to the legendary Narrominded label.Since about 2012, FINE CHINA SUPERBONE are back in the original threepiece
form. With a back to basics filthy distorted sound, loads of new riffs and ideas, and
the return of the human voice. All of this resulting in a bunch of abrasive, twisted,
post noise/math rock.An album was recorded in London with Wayne Adams at Bear Bites Horse Studio –
a place where many other great records were recorded (USA Nails, Death Pedals,
Nitkowski, to name a few). ‘Plaguey’ was released on vinyl in 2019 by the Dutch
Geertruida label.And another vinyl album is about to be released, in September 2024. This one’s
called ‘Hunk’, and will come out on a bunch of record labels: Vollmer Industries
(Italy), Sonatine Produzioni (Italy), and Whosbrain (France), and will be available on
vinyl. There will also be a cassette release by Rat Run Records (UK).’Hunk’ was also recorded in London with Wayne Adams at the Bear Bites Horse
Studio.

La musique de Fleuves Noirs est organique et puissante quand elle parle au corps, maniaque et incantatoire quand elle s’adresse à l’esprit. Elle est menée par un cerveau malade voyageant à bord d’une enveloppe athlétique. Le corps de Fleuves Noirs c’est le duo basse-batterie, deux jumeaux élevés à la pulsation martelée
qui chaussent du 46. L’esprit c’est le chant et la guitare, joués par un punk-arty atteint de troubles dissociatifs de l’identité et par un pianiste répétant ses classiques de minimale au bouzouki.Ces quatre individus soutiennent dans leur catharsis une vision de la fête un peu sombre, parfois à côté de l’évidence, une forme de transe inexplicable qui tient debout de manière presque miraculeuse. Les morceaux naissent de séances d’improvisations
et ne s’embarrassent pas de formats pré-établis ou de notes d’intentions. Du rock indé 0.0 qui s’autorise tout. On y croise ici et là des incisions taillant dans le noise, le post-punk, on ressent un côté tribal, résolument énergique, on cherche des cadres. Mais c’est par sa franche liberté que la musique de Fleuves Noirs sort du lot. Les enchaînements improbables, les ruptures d’intentions et la pulse presque toujours présente nourrissent une impression de mouvement perpétuel qui entraîne les âmes en fête à trembler, à transpirer avec le groupe pour exorciser on ne sait quoi.Les disques du quatuor lillois sont enregistrés live pour renouer avec l’expérience de liberté collective de la scène. La seule contrainte reste celle d’essayer de naviguer en dehors des sentiers battus d’une formation rock, sans avoir la prétention de tout réinventer. Simplement celle de ne pas tomber dans la facilité et d’assouvir ce besoin permanent de ressentir la vibration organique qui mène la danse.